L’espace muséal du sculpteur cubain José Villa Soberón

Renée Clémentine Lucien

doi:10.4000/13aej

journal article Open Access Jan 01, 2024

L’espace muséal du sculpteur cubain José Villa Soberón

Renée Clémentine Lucien

Iberic@l Vol. 25 · OpenEdition

View at Publisher Save 10.4000/13aej

Abstract

This article focus on the collective dynamic created by the sculpture of the Cuban José Villa Soberón to show differently his work, in the course of the interactions operated with its environment. It examines how, from the interior space of the Havana Museo Nacional de Bellas Artes, the artistic and rhizomic trajectory traced outside the walls is built by the sculptures as an aesthetic and poetical extension of the museum. Then, it examines how the work of this sculptor is a part of a process of patrimonialization and consolidation of the historical, artistic and intellectual capitality of the town. Thus, it examines which place is granted to the spectator confronted with a space of the museum inside and outside the walls and with a narrative created for him.

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Published: Jan 01, 2024
Vol/Issue: 25
License: View

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Renée Clémentine Lucien

Cite This Article

Renée Clémentine Lucien (2024). L’espace muséal du sculpteur cubain José Villa Soberón. Iberic@l, 25. https://doi.org/10.4000/13aej

L’espace muséal du sculpteur cubain José Villa Soberón

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